Elwood & Jake Blues |
Based
on two Saturday Night Live characters, played by John Belushi and Dan Aykroyd,
viewers infer a symbol of hope as the lifeless gray iron gates open for Joliet
Jake. Angels begin to sing as the light peeks more and more from the cold portal
of incarceration to the warm light of freedom on his back. The irony is the police car that recuses Jake
to salvation. The golden sun is behind Jake Blues. He is greeted with love by
his brother Elwood and now the director refers to the shining light as a
metaphorical symbol of power, warmth and love. According to Romans 7:8 “We know that the laws
are spiritual and that sin we rule us as slaves.” But what we do not know is that Jake is about
to become free from sin once and for all.
Following
The Blues Brothers to the south side of Chicago, they visit St. Hellen’s
Orphanage and meet with The Penguin. The nun’s real name is Sister Mary Stigmata
and she is disturbed to lean that the Blues Brothers have become degenerates. After
Sister Mary smashes a ruler over Elwood’s head she states, “You are such a
disappointing pair and I prayed so hard for you. It saddens and hurts me that the two young men
whom I’ve raised to believe in the Ten Commandments have returned to me as two
thieves with filthy mouths and bad attitudes.” Sister Mary heeds warning to The
Blues Brothers and for them not to comeback until they redeem themselves.
Subsequently,
Jake and Elwood travel to a church called the Triple Rock. Some negative
reviews may scoff at the brilliance of this movie magic. For example, New York Times writer Janet Maslin, argues
that there were too many movie extras and that this “hollowness” did not “come
cheap” while making this $30 million motion picture. After reviewing the facts,
the cost of this movie brought joy and laughter. On the other hand, Raytheon Corp has invested
over $150 million to develop the Patriot missile system. Once
this War Drum rolls out, there will be the hollowness of greed and bombs do not
make people laugh.
Steven Spielburg as: Cook County Assessor (1980) |
This
motion picture uses the musicians in cameo roles and devotes itself otherwise
to a conventional, poorly rendered plot. The whole movie supposedly hinges on
Jake and Elwood Blues's efforts to raise money to pay taxes on a church
orphanage. However, without those cameos by Frank Oz,Steven Speilburg, Chaka Khan, and Mr. T,
they may never have been 1980’s icons in the first place. For example, if we look at The Bodyguard
(1992) starring Kevin Costner and Whitney Houston, Gary Kemp’s character Sy
Spector portrayed himself as a seedy, envious manager. Kemp’s personae worked
for this role and is a perfect example of casting smaller roles for a larger
pictures. And what about the Cook County Treasurer’s Department, Mr. Arthur T. Bourne, played by
Stephen Spielberg? This powerful director who made Jaws performs a small role
at the end of the film. Just like Jaws, the big shark (Spielberg) is saved for
the end. Metaphorically we could say Stephen Spielberg was the shark that was
brought out at the end of the movie to suggest the Big vs. Small factor in this
film.
Every
character had point and the characters played their roles well. This was excellent
storytelling, making the movie work! For
example, we learned about freedom’s light once Jake is released from prison.
Next, is God’s light from Triple Rock. This type of light can only be seen in
the hearts of those who believe in the higher power. In contrast, in “Blues, Love and Politics,”
Cornell West mentions the distinction between Blues and Jazz music as being
childlike. With that same approach we should examine The Blues Brothers in the
same childlike fashion. We know that cars can’t fly, blind people cannot use
fire arms and vehicles definitely cannot fall apart after completing a mission.
The
conflict starts once Elwood Blues sees his light in Park Ridge, Illinois. Everything
is fine until Elwood Blues ignores the red traffic signal and the ripple effect
begins. Brilliantly written, the red light is the last metaphor before the
mission of God can continue. We learn that The Blues Mobile is a 1974 Dodge police car. According to Elwood, “It’s
got cop tires, cop shocks and cop motor” (Blues). However, looking at the engineering prospective
for this unleaded fuel beast is a black and white 4-door sedan body type. Weight,
3600 pounds. Speed, zero to 60 in 15.7 seconds on a quarter mile race
track. The automobiles, staged accidents
and onscreen destruction have been adapted from the silent Keystone Cop
shorts. (Newland) These screen car crashes kept the
pacing and demonstrate the hand of God at work. In real life, Jake and Elwood Blues would have
died in these accidents.
In
contrast, there are realistic attributes in this motion picture. Next we have
Carry Fisher (an ex-girlfriend) trying to hunt Jake down and blow him away to
kingdom come. Let’s review the traffic
stop located in Park Ridge (Nelson Funeral Home). Research shows this chase to
be approximately 40 miles away. Calculations show that traveling at 120 mph
down Interstate 294 would only take 3 minutes to reach the Harvey Mall. This in theory is possible with no traffic or
construction. Elwood demonstrates his superior skills as a driver. Next is the
parking skills when they go see Mr. Fabulous who works at the Schale Paul restaurant.
Observing
the cast for this 30 million dollar motion picture, The resolution is easy to
explain. The band is paid and offered a
recording contract w/ Pollygram Records, but let’s not spoil the ending just yet.
The move goer sees that it all worked out and that mission was successful. In
the long run, nothing is great than the power of God. Sure, this may have been
just a movie. However, you do not need to be a Blues Brother to perform a
miracle. The random acts of kindness can created a ripple effect of small
blessing that will tune into miracle tsunami.
This
motion picture is a great example of Big vs Small as the two blues musicians
escape with hijinks with major conflict throughout the this film. this was a fun movie to watch, with great
music. They just do not make great pictures like this anymore.
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